| C |
 |
| Cable
Stitch |
A Knit Fabric
Stitch That Produces A Design That Looks Like A Heavy Cord- Common
In Sweaters And Hosiery.
|
| Cabled Yarn |
Two Or More
Folded Yarns Twisted Together In One Or More Operations., Note 1:
Combinations Of Folded Yarn(s) And Single Yarn(s) May Be Described
As Cabled Yarns, E.g., A Single Yarn Twisted Together With Two
Folded Yarns To Give Softness To The Resulting Yarn., Note 2: In The
Tyre-yarn And Tyre-cord Sections Of The Industry, Cabled Yarns Are
Termed Cabled Cords Or Cords.
|
| Cake |
The Package,
Roughly Cylindrical In Shape, Of Continuous-filament Yarn Produced
In The Viscose Spinning Industry By Means Of A Topham Box.
|
| Calache
Or Calash |
A
Protective Folding Hood Worn To Protect High Headresses C.
1770s-1830s And Made Like A Sunbonnet.
|
| Calendered |
A Flat, Smooth,
Glossy Finish Applied To The Fabric By Passing It Through Heavy
Rollers Under Pressure And Usually Heat. Cire, Chintz, Moire, &
Glazing Are Examples Of Calendered Finishes.
|
| Calendering |
The
Process Of Passing Fabric Through A Calendar In Which A Highly
Polished, Usually Heated, Steel Bowl Rotates At A Higher Surface
Speed Than The Softer (for Example, Cotton- Or Paper-filled) Bowl
Against Which It Works, Thus Producing A Glaze On The Face Of The
Fabric That Is In Contact With The Steel Bowl. The Friction Ratio Is
The Ratio Of The Peripheral Speed Of The Faster Steel Bowl To That
Of The Slower Bowl And Is Normally In The Range 1.5 To 3.0.
|
| Calico |
A Light Weight,
Plain Weave Fabric Usually Cotton Or Cotton Blend Typically Printed
With Small, All Over, Brightly Colored Designs. Used Frequently In
Aprons, Quilts & Curtains.
|
| Cambric |
A Plain Weave,
Traditionally Light Weight Cotton Fabric With A Luster On The
Surface . Used For Handkerchiefs Underwear, Shirts, Aprons ,
Tablecloths.
|
| Camel Hair |
The Hair Of The
Camel ( Camelus Bactrianus ) Or Dromedary. It Comprises The Strong,
Coarse, Outer Hair And The Undercoat.
|
| Candlewick |
A Tufted Pile
Fabric With A Fuzzy Surface That Looks Like Chenille . It Is Made By
Looping A Heavy Plied Yarn On A Muslin Base Then Cutting The Loops.
Used For Bedspreads, Robes, Draperies.
|
| Canons,
Also Cannons |
17th
Century, Full, Wide Ruffles/flounces Attached At The Bottom Of
Breeches, Especially Petticoat Breeches. It Was A Sort Of
Half-stocking, At First Long And Narrow, Then Wider And Decorated
With Flounces And Lace.
|
| Canton
Flannel |
A Heavy, Warm,
Strong Cotton Or Cotton Blend Fabric With A Twill Face And A Brushed
Back . Used For Nightwear, Underwear, Gloves, Linings. Originally
Produced In Canton China.
|
| Canvas
/duck |
A Strong, Firm,
Tightly Woven, Durable Fabric Usually Of Cotton But Sometimes Of
Linen, Hemp Or Other Fibers. It Is Usually Plain Weave But Sometimes
With A Crosswise Rib. It Is Produced In A Variety Of Weights &
Used In A Variety Of Products Such As Tents, Awnings, Sails,
Upholstery, Footwear, Jackets, Trousers.
|
| Cape
Net |
A
Stiff Heavy Net Which Can Be Shaped When Wet And Holds That Shape
When Dried . Used For Hats.
|
| Capotain Or
Copotain |
A High Conical,
High Crowned And Small-brimmed Cap Fashionable In The 16th Century.
In The Mid-17th Century Worn By Supporters Of The Puritan Fraction
In England.
|
| Carbon
(fibre) (generic Name) |
A Term Used To
Describe Fibres Containing At Least 98% Of Carbon Obtained By
Controlled Pyrolosis Of Appropriate Fibres.
|
Carbonized
Rag Fibre
|
Animal Fibre
Recovered By Either The Wet Or The Dry Carbonizing Process. |
| Carbonizing |
A Chemical
Process For Eliminating Cellulosic Matter From Admixture With Animal
Fibres By Degrading The Cellulosic Material To An Easily Friable
Condition. The Process Involves Treatment With An Acid, As By The
Use Of Hydrochloric Acid Gas (dry Process) Or Sulphuric Acid
Solution (wet Process), Followed By Heating.
|
| Carded |
A Yarn In Which
The Fibers Have Been Partially Straightened And Cleaned Prior To
Spinning. The Yarn Is Generally Coarser And More Uneven Than A
Combed Yarn.
|
| Cardigan
-full |
A
Variation Of A 1x1 Rib Stitch With 2 Sets Of Needles There Is
Alternate Knitting And Tucking On One Course Then Tucking And
Knitting On The Next Course. The Fabric Has The Same Look On Both
Sides As Every Wale On Both Sides Has Both A Held Loop And A Tuck
Loop. Also Called Polka Rib.
|
| Cardigan-
Half |
A Variation Of
A 1x1 Rib Stitch With Knitting & Tucking In Alternate Courses On
One Set Of Needles. The Construction On The Back Is The Reverse Of
The Face . Also Called Royal Rib.
|
| Carrier
(coloration) |
A Type Of
Accelerant, Particularly Used In The Dyeing And Printing Of
Hydrophobic Fibres With Disperse Dyes.
|
| Carrier
(fibre) |
A
Fibre That Is Blended With The Main Constituent Fibre To Improve
Processing Behavior.
|
| Carrotting |
The
Modification Of The Tips Of Fur Fibre (rabbit Fur) By Chemical
Treatment To Improve Their Felting Capacity. Reagents Generally Used
Are Mercury In Nitric Acid And Mixtures Of Oxidizing And Hydrolysing
Agents.
|
| Casein |
The
Principal Protein In Milk. It Serves As The Raw Material For Some
Regenerated Protein Fibres.
|
| Casement
Cloth |
A General Term
For Sheer, Lightweight, Open Weave Fabrics Used For Curtains And
Backing For Heavy Drapery.
|
| Cashmere |
Originally
Hair From The Downy Undercoat Of The Asiatic Goat (capra Hircus
Laniger). Currently Similar Hair From Animals Bred Selectively From
The Feral Goat Population Of Australia, New Zealand And Scotland, Is
Also Being Regarded As Cashmere Provided The Fibre Diameter Is
Similar.
|
| Cassock,
Also Casaque |
Three-quarter
Length Coat Cut With Wide, Full Sleeves And Wide Throughout The
Body, Ending At Thigh-height Or Below. An Unbelted Overcoat,
Open-sided And Almost Always Covered With Braid And Woven Ornament.
It Was Worn From The Middle Of The 16th Century, Mainly For Hunting
And Riding.
|
| Cationic |
A
Type Of Dye Used On Acrylic Or On Modified Polyester Or Modified
Nylon Yarn . Often Used To Achieve Cross Dyed Effects Cationic
Dyeable Yarn Is Woven In A Pattern With Regular Yarn In The Same
Fabric. The Pattern Becomes Visible By Dyeing The Fabric In 2 Baths,
One For Each Of The Types Of Yarn.
|
| Cationic
Dye |
A
Dye That Dissociates In Aqueous Solution To Give A Positively
Charged Coloured Ion.
|
| Causticizing |
Brief Treatment
Of Cellulosic Fabrics With Caustic Soda Solution At Room Temperature
Without Tension To Improve The Colour Yield In Printing And Dyeing,
Particularly With Reactive Dyes.
|
| Cavalier-style |
The Flamboyant
Men's Fashion Of The First Half Of The 17th Century. The Supporters
Of The English King Charles I Were Called Cavaliers, In Contrast To
The Plain Dressed Puritans.
|
| Cavalry
Twill |
A Sturdy Woven
Fabric With A Steep Pronounced Double Twill Line . Often Of Cotton
Or Wool But May Be Any Fiber.
|
| Cavings
(flax) (obsolescent) |
The Reject From
The Bottom Ridge Of A Roughing-out Machine Consisting Mostly Of
Rough Bits Of Broken Straw And Some Root Ends.
|
| Cellulose
Diacetate |
Theoretically,
An Ester Of Cellulose And Ethanoic Acid Containing 48.8% Of Combined
Ethanoic Acid (acetic Acid). This, However, Is Not A Commercial
Product. The Same Term Is Sometimes Used Loosely To Describe
Propanone-soluble (acetone-soluble) Cellulose Acetate.
|
| Cellulose
Ethanoate (acetate) |
An
Ester Formed From Cellulose And Ethanoic Acid (acetic Acid) Used To
Make Acetate Fibres. , Note: Purified Cellulose Is Ethanoylated
(acetylated) By Ethanoic Anhydride (acetic Anhydride) In The
Presence Of A Catalyst (such As Sulphuric Acid Or Perchloric Acid)
In A Solvent Such As Dichloromethane (methylene Chloride) Or
Ethanoic Acid. The Reaction Proceeds Until Primary Cellulose Acetate
Containing 60% Of Combined Ethanoic Acid Is Formed. Secondary
Cellulose Acetate Is Formed From The Primary Acetate By Partial
Hydrolysis. It Is Obtained By Adding Water In Excess Of That
Required To React With The Residual Ethanoic Anhydride, Which Thus
Allows The Hydrolysis To Take Place.
|
| Cellulose
Triacetate |
Theoretically,
A Cellulose Acetate Containing 62.5% Of Combined Ethanoic Acid
(acetic Acid) But The Term Is Generally Used For Primary Cellulose
Ethanoate (acetate) Containing More Than 60% Of Combined Ethanoic
Acid.
|
| Cellulose
Xanthate |
A Series Of
Compounds Formed Between Carbon Disulphide And Cellulose In The
Presence Of Strong Alkali.
|
| Cendal |
Silk
Material Resembling Taffeta. It Was Made In Various Qualities,
Sometimes Even Mentioned As A Luxury Fabric, Sometimes Only As Cheap
Lining Material. Widely Used During The Middle Ages, But In The 17th
Century It Was Only Used For Lining.
|
| Centre
Front |
It
Is The Portion Of The Pattern Or The Garment Which Is Suppose To
Come In The Exact Front.
|
| Centrifugal
Spinning |
A
Method Of Man-made Fibre Production In Which The Molten Or Dissolved
Polymer Is Thrown Centrifugally In Fibre Form From The Edge Of A
Surface Rotating At High Speed., The Term Is Also Used To Describe A
Method Of Yarn Formation Involving A Rotating Cylindrical Container,
In Which, The Yarn Passes Down A Central Guide Tube And Is Then
Carried By Centrifugal Force To The Inside Of A Rotating Cylindrical
Container.
|
| Chaconne |
Type Of Cravat
Made Of A Ribbon Dangling From The Shirt Collar To The Chest. It
Takes Its Name From The Dancer Pécourt Who Danced A Chaconne
In 1692 With His Cravat Tied In This Way.
|
| Chaff |
A Component Of
Trash In Cotton In The Form Of A Heterogeneous Assortment Of
Vegetable Fragments, Most Of Them Being Small Pieces Of Leaf And
Stalk.
|
| Challis |
A Soft,
Lightweight, Plain Weave Fabric With Good Drape. Often Used For
Printed Dresses And Skirts. Most Commonly Wool Or Rayon But May Be
Of Cotton Or Other Spun Fibers.
|
| Chambray |
A Lightweight,
Plain Weave Fabric, With A Colored Warp And White Weft . Usually
Plain But May Be In Stripes, Checks, Or Other Patterns. Often Used
In Shirts, Dresses Children's Clothes.
|
| Chameleon |
A 3
Tone Effect That Changes With The Angle Of View . It Is Achieved By
Using A Warp Yarn Of One Color And Double Weft Yarns Of 2 Different
Colors. It Is Often Found In Taffetas , Poplins Or Failles Of Silk
Or Made Made Filament Yarns
|
| Chamois-like |
A
Hand Suggesting The Soft Pliable Leather From The Skin Of The
Chamois Goat.
|
| Chand-tara |
Literally,
"moon And Star", A Pattern Often-used In Indian Textile.
|
| Chantilly
Lace |
A Bobbin Lace
On A Fine Net Ground Characterized By Delicate Motifs Of Scrolls,
Vines, Branches, And Flowers Outlined By A Flat (cordonnet) Yarn.
Often In Black. Originally Made In Chantilly France.
|
| Charged
System |
A Method Of Dry
Cleaning In Which An Oil-soluble Reagent Such As Petroleum
Sulphonate Is Added To The Solvent So That A Significant Amount Of
Water Can Be Added To Obtain A Substantially Clear Dispersion Of
Water In The Solvent. In A High-charged System The Concentration Of
Added Reagent, A So-called Detergent Is 4% While, In A Low-charged
System The Concentration Ranges From ¾% To 2%.
|
| Charmeuse |
A Soft
Lightweight Woven Satin Fabric With Good Drape. It Is Made With High
Twist Yarns, Has A Semi-lustrous Face And A Dull Back . Often Used
For Blouses, Intimate Apparel.
|
| Chaubandi
Chola |
A
Short Tunic Or Shirt Fastened With Tie-cords Worn By Children.
|
| Chaugoshia
(topi) |
A
Four-cornered Cap.
|
| Chauri |
A
Flywhisk Made Generally From A Yak's Tail. Important As A Symbol Of
Royalty Or Divinity.
|
| Chausses En
Bourses |
Early 17th
Century Breeches Made In Bands And Padded So They Swelled Out At The
Bottom, Ending In A Flattened Balloon Shape.
|
| Check |
A Small Pattern
Of Squares Or Rectangles. It May Be Printed, Yarn Dyed , Cross Dyed
Or Woven Into The Fabric ( As A Dobby Or Jacquard).
|
| Cheese
Cloth |
See
Muslin/See Gauze.
|
| Chemic;
Chemick |
Calcium
Or Sodium Hypochlorite.
|
| Chemicking |
Bleaching
Non-protein Fibre Material By Means Of A Dilute Hypochlorite
Solution.
|
| Chemise |
A
Light Undergarment Made From Linen, For Both Sexes.
|
| Chenille |
1. A Yarn With
Fuzzy Pile Protruding From All Sides . It Has A Velvety Caterpillar
-like Appearance . ( The Term Chenille Is Derived From The French
Word For Caterpillar) 2. A Fabric Made With Chenille Yarn.
|
| Cheviot |
1.A
Rough Surfaced Fabric Of Wool With A Heavy Nap. Used For Coating. 2.
A Loosely Woven Tweed Fabric With A Shaggy Texture . Cheviot Was
Originally Made From The Wool Of The Cheviot Sheep In The Hills At
The Bordering England And Scotland.
|
| Chevron |
A
Design Which Incorporates Herringbone Elements Of Zigzag Stripes Or
Joined V's
|
| Chiffon |
A Lightweight ,
Sheer, Plain Weave Fabric With A Dull Surface, A Soft Hand , And
Good Drape. It Is Made With Fine High Twisted Yarns And Has An Even
Or Close To Even Number Of Threads Per Inch In The Warp And Weft.
Originally Made In Silk But Now Found In Polyester And Other
Man-made Filament Yarns. Used In Dresses Blouses, Scarves, Veils.
|
| Chikan
Kari |
Embroidery
In White Cotton Thread Upon Fine White Cotton Fabric, Like, Muslin.
Several Techniques In Chikan-kar Are Known; Lucknow Was A Famous
Center Of Fine Workmanship. |
| Children's |
Refers
To Designs Suitable For The Children's Market.
|
| Child's
Pudding |
Small Round
Hats For Children Made Of Cloth Or Straw, Forming A Shock-absorber
To Protect Them If They Fell.
|
| China
Grass |
See
Ramie.
|
| Chinchilla |
A Thick, Heavy,
Pile Fabric With Surface Curls Or Nubs, Originally Made To Suggest
Chinchilla Fur . It Is Often Double Faced. It May Be Woven Or Knit
And Is Often Used As Coating.
|
| Chino |
A
Sturdy, Medium Weight, Twill Fabric Usually Of Cotton Or A Cotton
Blend. It Has Often Been Used For Summer Weight Military Uniforms,
Sportswear And Work Clothes. It Is Often Found In Khaki And Tan
Colors.
|
| Chinoiserie |
A
Old Chinese Decorative Style Still Used In Textiles.
|
| Chintz |
1. A Glazed
Solid Or Printed Fabric Usually Of Cotton Or A Cotton Blend 2. A
Plain Weave Fabric, Usually Cotton, With A Multicolor Print Which
May Or May Not Be Glazed. If It Is Unglazed It Is Called Cretonne.
|
| Chirimen |
A Japanese Term
Describing A Dull Crepe Fabric Made With A Course Yarn. Originally
Of Silk But Now Found In Man Made Filaments Such As Polyester.
|
| Chite |
Painted Linen,
Originally From Chitta (india) Which Started The Fashion For Painted
Linens In The 17th And 18th Centuries.
|
| Chlorination |
When
Used With Reference To Textile Processing, A Term Indicating The
Reaction Of A Fibre With Chlorine. The Chlorine May Be In The Form
Of A Gas, Or Its Solution In Water Or It May Be Obtained From A
Suitable Compound.
|
| Chlorofibre
(fibre) (generic Name) |
A Term Used To
Describe Fibres Composed Of Synthetic Linear Macromolecules Having
In The Chain More Than 50% (by Mass) Of Chloroethene (vinyl
Chloride) Or 1,1-dichloroethene (vinylidene Chloride) Groups. If The
Rest Of The Chain Is Made Up Of Cyanoethene (acylonitrile) Groups
Then The Chloroethene Content Must Be Greater Than 65%, Thus
Excluding Modacrylic Fibres From This Definition.
|
| Chogaichoga |
A
Loose, Sleeved Coat-like Garment Worn Over An Inner Garment Like The
Angarakha (q.v.), Generally Sumptuous And Appropriate For Ceremonial
Occasions. Of Turkish Origin, The Chogha Was Also Known As A Chugha,
Chuha Orjuha; In Russia As Shuba Or Sbubka.
|
| Choli |
A Short,
Bodice-like Breast Garment Of Wide Popularity Among Women In India,
From Early Times. Related To The Classic Cholaka Mentioned In
Sanskrit Literature. The Garment Is Worn In Many Styles; Thus, With
Back Covering Or Without, Fastened With Strings Or Extended
Cloth-pieces, With Shaped Breast-pieces Or Flat, Etc.
|
| Cholu |
A
Loose, Shirt-like Garment.
|
| Chrome
Dye |
A
Mordant Dye Capable Of Forming A Chelate Complex With A Chromium
Atom.
|
| Chrome
Mordant Process |
A Method Of
Dyeing Whereby The Fibre Is Mordanted With A Solution Of A Chromium
Compound And Subsequently Dyed With A Suitable Chrome Dye.
|
| Chromophore |
That
Part Of The Molecular Structure Of An Organic Dye Or Pigment
Responsible For Colour.
|
| Chrysalis |
The Form Taken
By A Silkworm In The Dormant Stage Of Development Between Larva And
Moth. It Is Dark Brown And Fragments Of It Can Often Be Detected In
Silk Waste, Especially Noils.
|
| Churidar |
With
Bangle-like Gathers Or Wrinkles, As In A Churidar Payan.
|
| Circular
Knit |
Refers To
Fabrics Knit On A Circular Knitting Machine, I.e. One Which Has Its
Needles Arranged In A Circle Thus Producing The Fabric In Tubular
Form . The Fabrics May Be Sold Tubular Or Slit And Sold Open Width.
A Circular Knitting Machine May Be Used To Produce Full Width
Fabrics Or Narrow Shaped Components Such As For Hosiery.
|
| Cire |
A Finishing
Process That Produces A High Gloss On The Surface On The Fabric By
Passing It Through Heavy Rollers (calendering) . Fabrics Made Of
Thermoplastic Fibers Like Nylon Or Polyester Are Cired By
Calendering With Heat And Pressure Alone. Other Fabrics Like Rayons
Or Silks Are Calendered With Wax Or Other Compounds.
|
| Classing |
A
Process By Which Whole Fleeces Are Separated Into Different Classes
Before Being Baled And Sold.
|
| Clear |
In
Synthetic Fibres The Term Clear Is Commonly Used To Denote The
Absence Of Delustrant.
|
| Clip
(wool) |
One
Season's Yield Of Wool.
|
| Clip
Dot /clip Spot |
A
Design Effect Created On A Woven Fabric By The Use Of Extra Yarns
Which Are Woven Into The Fabric At A Certain Spot Then Allowed To
Float Over The Fabric To The Next Spot. The Float Threads Are Later
Trimmed But Often Are Allowed To Protrude From The Surface Of The
Fabric As Part Of The Design.
|
| Cloque/
Blister Fabric |
A General Term
To Describe Fabrics With A Blister (pucker) On The Surface. The
Blister May Be Created By Several Different Methods Such As Printing
With Caustic Soda Or Other Chemicals, By Weaving Together Yarns
Under Different Tension, Or By Weaving Together Yarns With Different
Shrinkage Properties.
|
| Cloth |
A Generic Term
Embracing Most Textile Fabrics. The Term Was Originally Applied To
Wool Fabric Suitable For Clothing.
|
| Clothing
Wool |
Wools
Of Short Fibre, Not Suitable For Combing, And Used In The
Manufacture Of Woollens.
|
| Cluny Lace |
A Heavy Bobbin
Lace Using Thick Yarns Usually Of Cotton Or Linen. Most Often Done
In Geometric Patterns . Used For Curtains Doilies And Trim For
Apparel.
|
| Coarse |
Having
Thick Yarns.
|
| Coarse |
See
Alpaca Fibre
|
| Coated |
Refers
To The Application Of Material Such As Plastic Resin, Wax, Oil,
Varnish Or Lacquer To The Surface Of The Fabric . Application
Methods Include Dipping, Spraying, Brushing, Calendering Or Knife
Coating . Coating Is Often Applied To Make A Fabric Water Repellent
Or Waterproof But May Be Done Simply To Alter The Hand Or Appearance
Of The Fabric. Polyurethane, Acrylic And Pvc Resins Are Common Types
Of Coating.
|
| Cockade |
A
Ribbon Bow Deriving From The Tie Attaching The Brim Of A Cocked Hat.
Originally Decorative, It Was Also Used As Political Identification;
Thus The White Cockade Was Worn By The Jacobites, And The Tricoleur
By The French Republicans.
|
| Cocked Hat |
A Hat Which Is
Styled With The Brim Turned Up. Particularly Applied To Styles Of
The 17th And 18th Century.
|
| Cocoon
(silk) |
An
Egg-shaped Casing Of Silk Spun By The Silkworm To Protect Itself As
A Chrysalis.
|
| Cocoon
Strippings |
The
First Threads Secreted By The Silkworm When It Finds A Place To Form
Its Cocoon.
|
| Coif |
Medieval To
17th Century Term For Close-fitting Head Covering. Worn In The Later
Period Exclusively By Women.
|
| Coiffure En
Bouffons |
Women's
Hairstyle From The End Of The Reign Of Louis Xiii, Tufts Of Crimped
Hair Over The Temples, While The Forehead Was Covered By A Fringe
Known As A Garcette.
|
| Coir |
A
Reddish-brown-to-buff Coloured Coarse Fibre Obtained From The Fruit
Of The Palm Cocos Nucifera L.
|
| Cold
Drawing (Synthetic Filaments And Films) |
The
Drawing Of Synthetic Filaments Or Films Without The Intentional
Application Of External Heat., Note: Free Drawing Of Filaments Or
Films At A Neck Is Also Referred To As Cold Drawing Even Though This
May Be Carried Out In A Heated Environment., Colour, (1) Sensation.
That Characteristic Of The Visual Sensation Which Enables The Eye To
Distinguish Differences In Its Quality, Such As May Be Caused By
Differences In The Spectral Distribution Of The Light Rather Than By
Differences In The Spatial Distribution Or Fluctuations With
Time.(2) Of An Object. The Particular Visual Sensation (as Defined
Above) Caused By The Light Emitted By, Transmitted Through, Or
Reflected From The Object., Note: The Colour Of A Non-self luminous
Object Is Dependent On The Spectral Composition Of The Incident
Light, The Spectral Reflectance Or Transmittance Of The Object And
The Spectral Response Of The Observer. Colour Can Be Described
Approximately In Terms Of Hue, Saturation And Lightness, Or
Specified Numerically By Chromaticity Co-ordinates E.g., Those
Defined By The C.i.e. Standard Observer Data (1964). Alternatively,
Colour Can Be Specified By Reference To Visual Standards, E.g., The
Munsell Colour Atlas.
|
| Colour
Constancy |
The Ability Of
A Coloured Object To Give The Same General Colour Impression When
Viewed Under Different Illuminants, The Observer Having Been
Chromatically Adapted In Each Case.note: The Most Common Comparison
Is Made Between The Impression Under Artificial Light, E.g.,
Tungsten Filament, And That Under Daylight.
|
| Colour
Quality |
A
Specification Of Colour In Terms Of Both Hue And Saturation, But Not
Luminance.
|
| Colour
Value; Tinctorial Value |
The
Colour Yield Of A Colorant, Compared With A Standard Of Equal Cost.
Note: It Is Usually Determined By Comparing The Cost Of Coloration
At Equal Visual Strength. Comparisons Are Normally Made Between
Products Of Similar Hue And Properties.
|
| Colour
Yield; Tinctorial Yield |
The Depth Of
Colour Obtained When A Standard Weight Of Colorant Is Applied To A
Substrate Under Specified Conditions.
|
| Combed |
Refers To A
Process In The Manufacture Of Cotton And Other Staple Yarns. The
Fiber Is Combed To Remove Foreign Matter And The Shorter,
Undesirable Fibers, Leaving Longer, More Desirable Fibers That
Become Straightened & Aligned In Parallel Before Spinning Into
Yarn. Combed Yarns Are Finer, Cleaner And More Even Than Those That
Are Not Combed.
|
| Combed
Yarn. |
Yarn
Produced From Fibres That Have Been Carded (or Prepared) And Combed.
|
| Combination
Yarn |
A Yarn In Which
There Are Dissimilar Component Yarns Especially When These Are Of
Fibre And Filaments.
|
| Combing |
The
Straightening And Parallelizing Of Fibres And The Removal Of Short
Fibres And Impurities By Using A Comb Or Combs Assisted By Brushes
And Rollers.
|
| Commode |
A
Wire Frame On Which The Late 17th Century High Ladies' Headdress,
The Fontange, Was Adjusted.
|
| Compact |
Refers
To A Tight, Dense Fabric With A Firm Hand.
|
| Composite |
A Solid Product
Consisting Of Two Or More Discrete Physical Phases, Including A
Binding Material (matrix) And A Fibrous Material.
|
| Composite
Yarn |
A
Yarn Composed Of Both Staple And Continuous-filament Components,
E.g., Core Spun Or Wrap Spun.
|
| Compressive
Shrinkage |
A Process In
Which Fabric Is Caused To Shrink In Length E.g., By Compression. The
Process Is Often Referred To As Ccs (controlled Compressive
Shrinkage).
|
| Conch
Or Conque |
Sort
Of Large Shell-shaped Hat In Gauze Or Light Crepe, Mounted On A Wire
Framework, Which Was In France Mostly Worn My Widows In The Late
16th And Early 17th Centuries. At The Same Time A Similar Veil, But
Generally Much Bigger And Made Of Pale Gauze, Seems To Have Been
High Fashion In England.
|
Condensation
Polymerization
|
See
Polymerization, Condensation |
| Condense
Dye |
A Dye Which,
During Or After Application, Reacts Covalently With Itself Or Other
Compounds, Other Than The Substrate, To Form A Molecule Of Greatly
Increased Size.
|
Condenser
(Ring-doffer Or Tape)
|
The
Last Section Of A Condenser Card: It Divides A Broad Thin Web Of
Fibres Into Narrow Strips, Which Then Consolidated By Rubbing Into
Slubbings. |
| Condenser
Card |
A
Roller-and-clearer Type Of Card, As Distinct From A Flat Card, Which
Converts Fibrous Raw Materials Slubbings, By Means Of A Condenser.
|
| Condenser
Spun |
Descriptive
Of Yarn Spun From Slubbing.
|
| Condition |
(1)
The Moisture Present In Textile Fibres In Their Raw Or Partly Or
Wholly Manufactured Form., (2) To Allow Textile Materials (raw
Materials, Slivers, Yarns, And Fabrics) To Come To Hygroscopic
Equilibrium With The Surrounding Atmosphere Or With The Standard
Atmosphere For Testing., (3) To Add Relatively Small Quantities Of
Water To Textile Materials (raw Materials, Slivers, Yarns And
Fabrics)., Note: The Object Of Conditioning Is To Prepare For
Testing, Or To Bring Textiles To An Agreed Moisture Content For Sale
Or To Facilitate Later Processing. Among Methods Used For Applying
Water Are: (a) Mechanical Means During Gilling Or Winding, (b) The
Use Of Conditioning Machines, And Storing In An Atmosphere Of Very
High Relative Humidity.
|
| Conditioner
Tube |
A
Tube Supplied With Steam Or Hot Air Surrounding A Melt-spun
Thread-line And Located Between Extrusion And Wind-up, Whose Purpose
Is To Control The Fine Structure Of The Yarn., Cone, (1) A Conical
Support On Which Yarn Is Wound., (2) A Conical Package Of Yarn Wound
On A Conical Support.
|
| Contemporary |
Currently
In Vogue
|
| Continuous
Yarn Felting |
A
Process Whereby Slivers, Rovings, Slubbings, Or Yarns Are Felted On
A Continuous Basis. This Is Achieved By Passing Wool-rich Material
Through A Unit Where It Is Agitated An Aqueous Medium Where Felting
Takes Place. The Process Is Used To Produce A Yarn, Or Consolidate A
Spun Yarn.
|
| Continuous-filament
Yarn; Filament Yarn |
A Yarn Composed
Of One Or More Filaments That Run Essentially The Whole Length Of
The Yarn. Yarns Of One Or More Filaments Are Usually Referred To As
Monofilament Or Multifilament Respectively.
|
| Conventional
Allowance
|
The
Percentage That, In The Calculation Of Commercial Weight And Yarn
Count Or Linear Density, Is Added To The Oven-dry Weight Of The
Textile Material, Which Has Been Previously Washed Free Of Finish.
For Such Material, The Conventional Allowance Is Arbitrarily Chosen
According To Commercial Practice, And Includes The Moisture Regain
And The Normal Finish That Is Added To Impart Satisfactory Textile
Qualities.
|
| Conversational |
Whimsical
Designs Or Designs With A Theme.
|
| Converter;
Merchant Converter |
An Individual
Who Or An Organization Which Locates A Supplier And Purchases Grey
Fabric, Procures Its Finishing And Then Re-sells The Finished Fabric
To Customers.
|
| Converting;
Conversion (tow) |
The
Production, From A Filament Tow Or Tows, Of A Staple Sliver In Such
A Way That The Essential Parallel Arrangement Of The Filaments Is
Maintained. Note: The Two Methods Of Converting Most Commonly
Employed Are:, (a) Crush Cutting, In Which The Filaments Of The Tow
Are Severed By Crushing Between An Anvil Roller And A Cutting Roller
With Raised 'blades' Helically Disposed Around Its Surface, And ,
(b) Stretch Breaking, In Which The Filaments Of The Tow Are Broken
By Progressive Stretch Between Successive Sets Of Rollers., If
Subsequently A Top Is Required, Further Processes Of Re-breaking
And/or Gilling May Be Necessary And The Whole Operation Is Then
Often Referred To As Tow-to-top Converting Or Conversion.
|
| Cool |
A
Smooth, Slick, Hand Generally Associated With Synthetics.
|
| Cool
Colours |
Blue,
Violet And Green Are Cool / Light Colors. They Are Reducing In
Nature, As Seen By The Eye They Move Away From The Object Thereby
Increasing Its Size. Cool Colors Have A Calm And Restful Effect. |
| Cooling
Cylinder |
An Open
Cylinder, Or Alternatively A Closed Cylinder Filled With Cold Water,
Over Which Hot Fabric Is Passed To Accelerate Cooling
|
| Coolmax
Brand |
A Du Pont Brand
Of Polyester With Good Wicking Qualities Allowing For Better
Moisture Evaporation . Used In Activewear.
|
| Cop |
A
Form Of Yarn Package Spun On A Mule Spindle. The Term Can Also Be
Used To Describe A Ring Tube.
|
| Copolymer,
Block |
A Copolymer In
Which The Repeating Units In The Main Chain Occur In Blocks,
E.g.,-(a)m-(b)n-(a)p-(b)q- Where A And B Represent The Repeating
Units.
|
| Copolymer,
Graft |
A Copolymer
Formed When Sequences Of One Repeating Unit Are Built As Side
Branches Onto A Backbone Polymer Derived From Another Repeating
Unit, E.g.,
|
| Copolymer. |
A
Polymer In Which The Repeating Units Are Not All The Same. Usually,
But Not Always, Copolymers Are Formed From Two Or More Different
Starting Materials. For Example, Chloroethene (vinyl Chloride) And
1,1-dichloroethene (vinylidene Chloride) Form A Copolymer That
Contains The Repeating Units: -ch2-chcl- And -ch2-ccl2-, The
Different Classes Of Copolymer Include Random Copolymers,
Alternating Copolymers, Block Copolymers, And Graft Copolymers.
|
| Cord |
A Term Applied
Loosely To A Variety Of Textile Strands Including (a) Cabled Yarns
(b) Plied Yarns And (c) In Structures Made By Plaiting, Braiding Or
Knitting.
|
| Corded |
1. A Fabric
With A Surface Rib Effect Resulting From The Use Of A Heavier Or
Plied Yarn Together With Finer Yarns. 2. A Yarn Made From Two Or
More Finer Yarns Twisted Together.
|
| Cordon
Yarn |
A
Two-ply Union Yarn Made From A Single Cotton Yarn And A Single
Worsted Or Woollen Yarn.
|
| Cordura
Brand |
A
Du Pont Brand Of Air Textured Nylon Yarn. Used In Luggage And
Outerwear.
|
| Corduroy |
A Strong,
Durable, Woven Fabric Characterized By Vertical Cut Pile Stripes Or
Cords With A Velvet- Like Nap. Corduroy Is Classified By The Number
Of Wales Or Cords To The Inch. It Is Traditionally Of Cotton But May
Be Cotton Blends Or Other Fibers As Well. It Is Common In Men's
Women's And Children's Apparel Especially Trousers.
|
| Core
Sampling |
A Method Of
Taking Representative Samples From Bales Or Packs Of Textile Fibres
Obtained By Inserting A Coring Tube Driven By Hand Or Machine Into
Each Package., Note 1: Core Samples Can Be Used For The
Determination Of Yield Or Fineness, But Not Fibre Length., Note 2:
The Term Mini-core Sampling Is Applied To Small-scale Sampling.
|
| Core-spun
Yarn ; Core Yarn |
Yarn
Consisting Of A Central Thread Surrounded By Staple Fibres. The Yarn
Has The Strength And Elongation Of The Central Thread Whilst
Exhibiting Most Of The Other Characteristics Of The Surface Staple
Fibres., Example 1: A Sewing Thread Consisting Of A Central
Synthetic Continuous-filament Yarn Surrounded By Cotton Fibres.,
Example 2: Worsted Yarn With Bulked-nylon Core, E.g., Typically
1/24s Worsted Count (37 Tex) With Approximately 33% Of Nylon. These
Yarns Are Normally Produced To Give Strength And Elasticity To The
Fabric., Example 3: A Spun Yarn From Either Natural Or Man-made
Fibres Incorporating An Elastomeric Core, These Yarns Are Normally
Used In Stretch Fabrics.
|
| Cornet |
The
Cornet Headdress Is A Simplified Fontange. The Cap Has An Upstanding
Frill In Front And Lappets At The Back. The Veil Is Wired To Stand
Up Above The Forehead. A Topknot Of Wired Ribbon Is Pinned At The
Front Of The Cap; Fourth Quarter Of 17th Century.
|
Correct
Invoice Weight
|
The Weight Of
Material Calculated From The Oven-dry Weight And The Recommended
Allowance. |
| Cortex |
The
Inner Portion Of Most Animal Hair Fibres. It Consists Of
Spindle-shaped Cells.
|
| Cotton |
The
Seed Hair Of A Wide Variety Of Plants Of The Gossypium Family.
|
| Cotton Dust |
Dust Present
During The Handling Or Processing Of Cotton That May Contain A
Mixture Of Substances, Including Smaller Particles Of Ground-up
Plant Matter, Fibre, Bacteria, Fungi, Soil, Pesticides, Non-cotton
Plant Matter And Other Contaminants Which May Have Accumulated
During The Growing, Harvesting And Subsequent Processing Or Storage
Periods.
|
| Cotton
Waste |
There Are Two
Classes Of Waste Known As 'hard' And 'soft', And Their Treatment
Differs According To The Class. Hard Waste Is Essentially That From
Spinning Frames, Reeling And Winding Machines And All Other Waste Of
A Thready Nature. Soft Waste Comes From Earlier Processes Where The
Fibres Are Relatively Little Twisted, Felted, Or Compacted.
|
| Cotton Wool |
A Web Or Batt
Of Fibres Used For Medical Or Cosmetic Purposes Which Is Made From
Cotton And/or Viscose Rayon.
|
| Cotton-like |
Refers
To A Fabric That Feels Like Cotton.
|
| Cotton-spun |
A Term Applied
To Staple Yarn Produced On Machinery Originally Developed For
Processing Cotton Into Yarn.
|
| Count |
Methods Of
Variously Expressing The Specific Length Or Length Per Unit Mass Of
A Yarn. Also Termed Linear Density; Number Of Yarn; Yarn Count; Yarn
Number; Grist.
|
| Counting
Glass |
A
Small Mounted Magnifying Glass For Examining Fabric. The Base Of The
Mount Generally Contains A Unit Of Measurement Having An Aperture
One Centimetre Square, One Inch Square Or Cross-shaped With Various
Dimensions, Convenient For Counting Ends And Picks, Or Courses And
Wales In A Fabric.
|
Count-strength
Product (csp)
|
The Product Of
The Lea Strength, And The Actual Count Of Cotton Yarn. |
| Couple |
To
Combine A Suitable Organic Component, Usually A Phenol Or An
Arylamine, With A Diazonium Salt To Form An Azo Compound As In The
Manufacture Of Azo Colorants, In Azoic Dyeing Or In After Treatment
Of Direct Dyeing.
|
Course
Length (weft-knitted)
|
The Length Of
Yarn In A Knitted Course. |
Course,
Knitted (fabric)
|
A Row Of Loops
Across The Width Of A Fabric.
|
| Couvrechef |
A
Veil Or Covering For The Head.
|
| Cover |
(1)
The Degree Of Evenness And Closeness Of Thread Spacing. Good Cover
Gives The Effect Of A Plane Surface And Cannot Be Obtained With
Hard-twisted Yarns., (2) The Degree To Which, In Fabric Finishing,
The Underlying Structure Is Concealed By The Finishing Materials Or
Treatments.
|
| Cover
Factor (knitted Fabrics) |
A Number That
Indicates The Extent To Which The Area Of A Knitted Fabric Is
Covered By The Yarn: An Indication Of The Relative Looseness Or
Tightness Of The Knitting.
|
| Cover
Factor (woven Fabrics) |
A
Number That Indicates The Extent To Which The Area Of A Fabric Is
Covered By One Set Of Threads. By Introducing Suitable Numerical
Constants, Its Evaluation Can Be Made In Accordance With Any System
Of Counting. For Any Fabric There Are Two Cover Factors: Warp Cover
Factor And Weft Cover Factor.
|
| Covered
Yarn |
A Yarn Made By
Feeding One Yarn Under A Controlled Degree Of Tension Through The
Axis Or Axes Of One Or More Revolving Spindles Carrying The Other
(wrapping) Yarn(s).
|
| Coverstock
|
A
Permeable Fabric Used In Hygiene Products To Cover And Contain An
Absorbent Medium., Crabbing, (1) A Process Used In The Worsted Trade
To Set Fabric In A Smooth Flat State So That It Will Not Cockle,
Pucker, Or Wrinkle During Subsequent Wet Processing. The Fabric Is
Treated In Open Width And Warp-way Tension In A Hot Or Boiling
Aqueous Medium, The Tension Being Maintained While The Fabric Is
Cooling (see Setting)., (2) A Process Of Bringing A Lustrous Weft To
Cover The Surface Of A Fabric, E.g., A Cotton-warp/mohair-weft
Fabric.
|
| Covert |
A
Medium To Heavy Twill Fabric With A Contrast In Color Between The
Twill Line And The Ground . Usually Has A Mottled Or Flecked
Appearance Caused By Using A Warp Yarn With 2 Or More Colors Twisted
Together. The Filling Generally Is Of A Single Color.
|
| Crash |
A Coarse Woven
Fabric With A Rough Surface, Made With Thick Uneven Yarns. Used For
Table Linens , Draperies, Backings.
|
| Cravat |
Wide Cloth Or
Piece Of Lace Knotted Or Tied Around The Neck. The Term Was First
Used In The Mid-17th Century.
|
| Cravat
String |
Ribbon Used In
The 17th Century To Tie A Heavy Lace Cravat In Place; The Forerunner
Of The 18th Century Solitaire.
|
| Crease-recovery |
The
Measure Of Crease-resistance Specified Quantitatively In Terms Of
Crease-recovery Angle.
|
| Crease-resist
Finish |
A
Finishing Process, Usually For Cellulosic-fibre Fabrics Or Their
Blends, That Improves The Crease Recovery And Smooth-drying
Properties. In The Process Used Most Extensively, The Fabric Is
Impregnated With A Solution Of A Reagent That Penetrates The Fibres,
And, After Drying And Curing Cross-links The Fibre Structure Under
The Influence Of A Catalyst And Heat. The Crease Resistant Effect Is
Durable To Wash And Wear.
|
| Crease-resistance |
A Term Used To
Indicate Resistance To, And/or Recovery From, Creasing Of A Textile
Material During Use.
|
| Creel |
A
Structure For Holding Supply Packages In Textile Processing., Crimp,
(1) (fibre). The Waviness Of A Fibre. Note: This Fibre
Characteristic May Be Expressed Numerically As The Crimp Frequency
Or As The Difference Between The Lengths Of The Straightened And
Crimped Fibre, Expressed As A Percentage Of The Straightened
Length.(2) (yarn) (UK., Take-up, Regain, Shrinkage) The Waviness Or
Distortion Of A Yarn That Is Due To Interlacing In The Fabric.,
Note: In Woven Fabrics, The Crimp Is Measured By The Relation
Between The Length Of The Fabric Sample And The Corresponding Length
Of Yarn When It Is Removed Therefrom And Straightened Under Suitable
Tension., Crimp May Be Expressed Numerically As (a) Percentage
Crimp, Which Is 100 Divided By The Fabric Length And Multiplied By
The Difference Between The Yarn Length And The Fabric Length, And
(b) Crimp Ratio, Which Is The Ratio Of Yarn Length To Fabric Length.
In Both Methods, The Fabric Length Is The Basis, That Is To Say, 100
For Percentage Crimp And 1 For Crimp Ratio. This Definition Could
Logically Be Applied To Knitted Fabrics Or Fabrics Of Pile
Construction, But It Is Preferable To Employ Special Terms, E.g.,
'stitch Length', Or 'terry Ratio'.
|
| Crepe |
A Fabric
Characterized By An All Over Crinkled, Pebbly, Or Puckered Surface.
The Appearance May Be A Result Of The Use Of High Twist Yarns ,
Embossing , Chemical Treatment Or A Crepe Weave.
|
| Crepe De
Chine |
A Lightweight
Plain Weave Fabric Usually Of Silk Or Man Made Filament Yarns With A
Slight Crepe Texture Produces By Using High Twist Yarns . Used In
Blouses And Dresses.
|
| Crepe-back
Satin |
A
Two Faced Fabric In Which One Side Is Crepe And The Other Satin.
Also Called Satin-back Crepe.
|
| Crepey |
Refers
To A Fabric With A Pebble Like Texture.
|
| Crepon/yoryu |
A Fabric With A
Pleat-like Crinkle Effect In The Warp ( Lengthwise) Direction Of The
Fabric, Made With High Twist Yarns.
|
| Cretonne |
A Plain Weave
Fabric, Usually Cotton, With A Neutral Ground And Brightly Colored
Floral Designs, Similar To Chintz But With A Dull Finish And
Sometimes Heavier. Used For Draperies And Upholstery.
|
| Crewel |
A
Type Of Embroidery Using A Loosely Twisted 2 Ply Worsted Yarn.
|
| Crimp
Contraction |
The
Contraction In Length Of A Previously Textured Yarn From The Fully
Extended State (i.e., Where The Filaments Are Substantially
Straightened), Owing To The Formation Of Crimp In Individual
Filament Under Specified Conditions Of Crimp Development. It Is
Expressed As A Percentage Of The Extended Length.
|
| Crimp
Frequency |
The
Number Of Full Waves Or Crimps In A Length Of Fibre Divided By The
Straightened Length.
|
| Crimp
Retraction |
See
Crimp Contraction
|
| Crimp
Stability |
The
Ability Of A Textured Yarn To Resist The Reduction Of Its Crimp By
Mechanical And/or Thermal Stress., Note: Crimp Stability Is Normally
Expressed As The Ratio Of Values Of Crimp Retraction Measured Before
And After A Specified Mechanical And/or Thermal Treatment Of The
Yarn.
|
| Crimp,
Latent |
A Crimp That Is
Potentially Present In Specially Prepared Fibres Or Filaments And
That Can Be Developed By A Specific Treatment Such As Thermal
Relaxation Or Tensioning And Subsequent Relaxation.
|
| Crimped
Length |
The Distance
Between The Ends Of A Fibre When Substantially Freed From External
Restraint, Measured With Respect To Its General Axis Of Orientation.
|
| Crimped
Yarn |
A
Continuous-filament Yarn That Has Been Processed To Introduce
Durable Crimps, Coils, Loops Or Other Fine Distortions Along The
Lengths Of The Filaments., Note 1: The Main Texturing Procedures
Which Are Usually Applied To Continuous-filament Yarns Made From Or
Containing Thermoplastic Fibres, Are:, (a) The Yarn Is Highly
Twisted, Heat-set And Untwisted Either As A Process Of Three
Separate Stages (now Obsolescent) Or As A Continuous Process
(false-twist Texturing). In An Infrequently Used Alternative Method,
Two Yarns Are Continuously Folded Together, Heat-set, Then Separated
By Unfolding;, (b) The Yarn Is Injected Into A Heated Stuffer Box
Either By Feed Rollers Or Through A Plasticizing Jet Of Hot Fluid
(invariably Air Or Steam). The Jet Process Is Sometimes Known As Jet
Texturing, Hot-air Jet Texturing, Or Steam-jet Texturing;, (c) The
Yarn Is Plasticized By Passage Through A Jet Of Hot Fluid And Is
Impacted On To A Cooling Surface (impact Texturing);, (d) The Heated
Yarn Is Passed Over A Knife-edge (edge Crimping), (now Obsolete);,
(e) The Heated Yarn Is Passed Between A Pair Of Gear Wheels Or
Through Some Similar Device (gear Crimping);, (f) The Yarn Is
Knitted Into A Fabric That Is Heat-set And Then Unravelled
(knit-deknit Texturing);, (g) The Yarn Is Over-fed Through A
Turbulent Air Stream (air-texturing, Air-jet Texturing), So That
Entangled Loops Are Formed In The Filaments;, (h) The Yarn Is
Composed Of Bicomponent Fibres And Is Subjected To A Hot And/or Wet
Process Whereby Differential Shrinkage Occurs., Note 2: Procedures
(a) And (d) In Note I Above Gives Yarns Of A Generally High-stretch
Character. This Is Frequently Reduced By Re-heating The Yarn In A
State Where It Is Only Partly Relaxed From The Fully Extended
Condition, Thus Producing A Stabilized Yarn With The Bulkiness
Little Reduced But With A Much Reduced Retractive Power., Note 3:
The Procedure (g) May Also Be Applied To Fibres Which Are Not
Thermoplastic.
|
| Crinkled |
An Uneven,
Wrinkle, Or Puckered Effect On The Fabric Surface Which Can Be
Created By A Variety Of Mechanical Or Chemical Finishes, Or Through
The Use Of High Twist Yarns.
|
| Crinoline |
A
Stiff, Open Weave Fabric, Usually Heavily Sized. Used Mainly As
Lining Or Interlining.
|
| Crisp |
Describes
Fabrics With A Smooth, Clean Surface, Good Body, And A Relatively
Firm Hand Which May Make Noise When Rustled.
|
| Critical
Application Value (cav) |
In A Low Add-on
Easy-care Finishing System, The Amount Of Finishing Liquor Which
Must Be Applied To A Given Fabric To Avoid A Non-uniform
Distribution Of Cross-linking After Drying And Curing.
|
| Crochet
Lace |
Lace
Handmade With A Crochet Hook Usually Medallion Patterns On A Mesh
Ground.
|
| Crocking |
A
Synonym For 'rubbing' In The Sense Of The Fastness To Rubbing Of
Dyes.
|
| Crockmeter |
An
Apparatus For Evaluating The Colour Fastness To Rubbing Of Dyed Or
Printed Textiles.
|
| Cross Cut |
Refers To A
Corduroy Fabric Which Has The Pile Cut In A Weftwise Direction,
Forming Squares Or Rectangles On The Surface.
|
| Cross
Dyed |
A
Method Of Coloring Fabric Made With Strategically Placed Yarns Of 2
Or More Different Fibers. A Pre-planned Effect Becomes Visible By
Dyeing The Fabric In Different Dye Baths, One For Each Of The Types
Of Yarn. For Example A Predominately Rayon Fabric May Have A
Polyester Yarn Woven Into It In A Stripe Pattern Then Dyed In A Bath
To Which Only The Rayon Is Sensitive. The Polyester Stripe Will Be
Made To Appear Since It Remains Undyed. The Stripe May Then Be
Colored By Dyeing It Again In A Bath Of A Different Color To Which
Only The Polyester Is Sensitive. Heather Effects May Be Achieved By
Mixing More Than One Fiber In A Single Yarn Then Cross Dyeing.
|
Cross Dyed &
Overprinted
|
A Cross Dyed
Fabric Which Has Also Had A Design Printed On It. |
| Cross
Dyeing |
The
Dyeing Of One Component Of A Mixture Of Fibres Of Which At Least One
Is Already Coloured.
|
| Cross
Lapping; Cross Laying |
The Production
Of A Nonwoven Web Or Batt From A Fibre Web By Traversing It To And
Fro Across A Lattice Moving At Right Angles To The Direction Of
Traverse.
|
| Crossbred |
A
Term Applied Loosely To Wool, Tops, Yarns Or Fabrics Produced From
Wools Of Medium Quality.
|
| Cross-linking
|
The Creation Of
Chemical Bonds Between Polymer Molecules E.g., In A Fibre Or In A
Pigment Binder This Generally Restricts Swelling And Alters Elastic
Recovery.
|
Cross-wound
Package
|
A Package
Characterized By The Large Crossing Angle Of The Helixes Of Sliver
Or Yarn. |
| Crumbs |
A
Term Used To Describe Shredded Alkali-cellulose.
|
| Crush
Cutting |
A
Process In Converting In Which The Filaments Of The Tow Are Severed
By Crushing Between An Anvil Roller And A Cutting Roller With Raised
'blades' Helically Disposed Around Its Surface.
|
| Crushed |
A
Finish That Creates A Planned Irregular Disturbance On The Surface
Of The Fabric, Usually By Mechanical Means.
|
| Crystallinity |
Three-dimensional
Order In The Arrangement Of Atoms And Molecules Within A Chemical
Phase. Most Chemical Compounds Of Low Molecular Weight May Be
Obtained In A State Of Virtually Complete Three-dimensional Order.
When Polymers Crystallize, In General The Product Consists Of
Regions Of High Order (crystallites), Regions Of Low Order
(amorphous Regions), And Regions Of Intermediate Order. Different
Methods Of Measuring The Degree Of Crystallinity (e.g., Density,
Wide-angle X-ray Scattering, Enthalpy Measurement) Emphasize
Different Aspects And Therefore Lead To Quantitatively Different
Values. In Recent Years The Simple Concept Of Crystalline And
Amorphous Regions Has Been Questioned And Terms Such As
Para-crystalline Have Been Introduced.
|
| Csp |
See
Count-strength Product
|
| Culottes |
French
Word For Rather Tight Breeches.
|
| Cupra
(fibre) (USA) |
The
Term Used Originally, And Still In The U. S. A., To Describe Fibres
Of Regenerated Cellulose Obtained By The Cuprammonium Process. The
Iso Preferred Classification For These Fibres Is Cupro.
|
Cuprammonium
Rayon (fibre)
|
A
Term Used To Describe Fibres Of Regenerated Cellulose Obtained By
The Cuprammonium Process. |
Cupro
(fibre) (Generic Name)
|
A
Term Used To Describe Fibres Of Regenerated Cellulose Obtained By
The Cuprammonium Process. |
| Curing |
A
Process Following Addition Of A Finish To Textile Fabrics In Which
Appropriate Conditions Are Used To Effect A Chemical Reaction. Heat
Treatment For Several Minutes Has Been Standard, But Higher
Temperatures For Short Times (flash-curing) And Long Times At Low
Temperatures And Higher Regain (moist Curing) Are Also Used.
|
| Cut
Velvet |
Jacquard
Fabric Consisting Of A Velvet Design On A Plain Ground. Also Called
Beaded Velvet. Used In Evening Wear And Home Furnishings.
|
| Cuticle |
The
Surface Layer Of Animal Hair Fibres, Consisting Of Flat Overlapping
Scales.
|