| T |
|
| Tackspun
Fabric |
A Material Made
From A Polymer Film With A Backing Substrate. The Film Is Melted By
A Roller To Which It Adheres, Drawing Up A Fibrous Pile.
|
| Tactel
Brand |
A Du Pont Brand
Of Filament Nylon Fiber.
|
| Taffeta |
A Plain Weave,
Tightly Woven Smooth Crisp Fabric With A Characteristic Rustle. Made
From Silk Or Man-made Filament Yarns.
|
| Tag Wool |
The First Clip
From A Sheep Not Shorn As A Lamb.
|
| Tahband |
A Kind Of
Girdle Or Belt.
|
| Takauchiya |
A Kind Pyjama
(q.v.). Abu'i-fazl Describes It In The Ain-i-akbati As "a Coat
Without Lining, Of The Indian Form. Formerly It Had Slits In The
Skirt, And Was Tied On The Left Side; His Majesty Has Ordered It To
Be Made With A Round Skirt And To Be Tied On The Right Side."
|
| Tanis |
Tie-cords Or
Strings Used To Fasten Or Tighten A Garment When Worn.
|
| Tape
(textile) |
(1) A Woven
Narrow Fabric, Generally Plain-weave, Used In Non-loadbearing
Applications And The Reinforcing Of Fabrics To Resist Wear And
Deformation. (2) A Long Narrow Flat Structure With Textile-like
Properties Made From Thermoplastic Polymer, Paper, Or Other
Appropriate Material.
|
| Tape Yarn |
A Yarn Which
Comprises A Tape With A Large Width-to-thickness Ratio, And Which
Has An Apparent Width Not Exceeding An Agreed Limit (e.g., 5mm Or
8mm). Note: Such Yarns Are Usually Of Paper Or Are Formed By
Slitting A Wide Film Of (usually) Polyethylene Or Polypropylene
Polymer Into Individual Tapes, With Hot-stretching Either Before Or
After Slitting To Induce High Longitudinal Strength. The Draw Ratio
In Hot-stretching Is Kept Low Enough To Avoid Excessive Longitudinal
Fibrillation. The Tape Yarn So Produced Is Suitable For Weaving.
|
| Tape,
Oriented |
A Tape Made By
Extruding A Thermoplastic Polymer, Usually A Polyolefin, In The Form
Of A Sheet Or Film, Slitting The Sheet Into Tapes And Hot-stretching
To Induce Molecular Orientation And Hence High Longitudinal
Strength.
|
| Taper |
To Decrease
Width Gradually And Bring It To An End Point.
|
| Taper Line
Gratings |
Transparent
Plates Containing Lines More Widely Spaced At One End Than The
Other. By Selecting The Appropriate Taper Line Grating And Placing
It Parallel To A Set Of Threads In A Woven Fabric, It Is Possible To
Ascertain The Number Of Threads Per Unit Length (cm Or Inch) As A
Result Of A Star Form Created. These Gratings Can Also Be Used To
Determine The Number Of Courses Per Unit Length In Weft-knitted
Fabrics, Or The Number Of Dents Per Unit Length In A Reed.
|
| Tapestry |
A Closely Woven
Figured Fabric Of Compound Structure In Which A Pattern Is Developed
By The Use Of Coloured Yarns In The Warp Or In The Weft Or Both. A
Fine Binder Warp And Weft May Be Incorporated. It Normally Used For
Upholstery. Note: Originally The Term Was Applied To Furnishing
Fabrics In Which The Design Was Produced By Means Of Coloured
Threads Inserted By Hand As Required. Modern Tapestry Fabrics Are
Woven On Jacquard Looms, Coloured Yarns Being Used To Produce The
Desired Pattern. There Are Various Fabric Structures In Which Two Or
More Warps And Wefts Of Different Materials May Be Used. The Face Of
The Fabric Is Usually Of Uniform Texture, The Design Being Developed
In Various Colours, But In Some Tapestry Fabrics Figures Of The
Brocade Type Formed By Floating Some Of The Threads Are Also To Be
Found.
|
| |
|
| Tartan |
Refers To The
Kinds Of Plaid Patterns Traditionally Worn By Scottish Highlanders .
Each Design Was Associated With A Specific Family Or "clan".
The Term Is Generally Used To Today In Reference To Any Plaid Design
Similar To These Scottish Designs.
|
| Taslan |
A Du Pont
Trademark For A Method Of Bulking And Texturizing Yarn Using
Compressed Air.
|
| Tasteless |
The Basques Of
Early 17th Century Doublets.
|
| Tattersall |
A Simple
Overcheck Design, Usually A Thin Check Of One Or 2 Colors On A
Contrasting Color Ground.
|
| Tear |
The Ratio Of
Top To Noil Produced In Combing.
|
| Teazle;
Teazel; Teasel |
The Dried
Seed-head Of The Plant Dipsacus Fullonum (fullers Thistle) Used To
Raise A Pile Or Nap On Certain Fabrics. The Machine Used For This
Purpose Is Known As A Teazle Gig.
|
| Teentah
Topi |
A Topi (q.v.)
Consisting Of Three Different Pieces, Stitched Together.
|
| Teflon |
A Water
Repellent, Stain Resistant Finish Applied To Fabric . Trademark Of
Du Pont Co.
|
| Temporary
Set |
The Process Of
Conferring Temporary Stability Of Form Upon Fibres, Yarns, Or
Fabrics, Usually By Means Of Successive Heating And Cooling In Moist
Or Dry Conditions.
|
| Tenacity |
See Breaking
Stress
|
| Tencel
Brand |
Acordis Co.'s
Brand Of Lyocell Cellulosic Fiber.
|
| Tensile
Test |
A Test In Which
The Resistance Of A Material To Stretching In One Direction Is
Measured
|
| Terry |
A Fabric With
Uncut Loops On One Or Both Sides . May Be Woven Or Knit. Used For
Toweling, Robes. Knit Versions Such As French Terry Have Loops On
One Side And Are Sometimes Brushed To Produce A Fleece.
|
| |
|
| Tex |
The Basic Unit
Of The Tex System
|
Tex Is A
Recognized Si Unit.
|
See Also Count,
Hank, Lea (cotton), Flax Yarn Bundle |
| Tex System |
A System Of
Expressing Linear Density (mass Per Unit Length) Of Fibres,
Filaments, Slivers, And Yarns, Or Other Linear Textile Material. The
Basic Unit Is The Tex, Which Is The Mass In Grams Of One Kilometre
Of The Product. Multiples And Sub-multiples Recommended For Use In
Preference To Other Possible Combinations Are: kilogram Per
Kilometre, Designated Kilotex (ktex); Decigram Per Kilometre,
Designated Decitex (dtex);and Milligram Per Kilometre, Designated
Millitex (mtex).
|
| Textile |
Originally A
Woven Fabric But The Term Is Now Applied To Fibres, Filaments, Or
Yarns, Natural Man-made, And Products Obtained From Them. Note: For
Example, Threads, Cords, Ropes, Braids, Lace, Embroidery, Nets, And
Fabrics Made By Weaving, Knitting, Felting, Bonding, And Tufting Are
Textiles. Used As An Adjective, Descriptive Of Fibrous Or
Filamentous Manufactures And Of The Raw Materials, Processes,
Machines, Buildings, And Personnel Used In The Organizations
Connected With, And The Technology Of, Their Manufacture.
|
| Textile
Film |
A Man-made
Textile Material In Film Form Within Which Molecular Orientation Is
Predominantly In The Longitudinal Direction. Note: Polymer Films For
Non-textile Use Are Commonly Unoriented Or Bi-axially Oriented, But
Uni-axial Orientation Is Present In Some Cases.
|
Textile
Glass (fibre) (generic name)
|
The Name Used
To Describe Glass Fibres That Are Suitable For Textile Applications. |
| Textured
Yarn |
A
Continuous-filament Yam That Has Been Processed To Introduce Durable
Crimps, Coils, Loops Or Other Fine Distortions Along The Lengths Of
The Filaments. Note 1: The Main Texturing Procedures Which Are
Usually Applied To Continuous-filament Yarns Made From Or Containing
Thermoplastic Fibres, Are: (a) The Yarn Is Highly Twisted, Heat-set
And Untwisted Either As A Process Of Three Separate Stages (now
Obsolescent) Or As A Continuous Process (false-twist Texturing). In
An Infrequently Used Alternative Method, Two Yarns Are Continuously
Folded Together, Heat-set, Then Separated By Unfolding; (b) The Yam
Is Injected Into A Heated Stuffer Box Either By Feed Rollers Or
Through A Plasticizing Jet Of Hot Fluid (invariably Air Or Steam).
The Jet Process Is Sometimes Known As Jet Texturing, Hot-air Jet
Texturing, Or Steam-jet Texturing; (c) The Yam Is Plasticized By
Passage Through A Jet Of Hot Fluid And Is Impacted On To A Cooling
Surface (impact Texturing); (d) The Heated Yam Is Passed Over A
Knife-edge (edge Crimping), (now Obsolete); (e) The Heated Yarn Is
Passed Between A Pair Of Gear Wheels Or Through Some Similar Device
(gear Crimping); (f) The Yam Is Knitted Into A Fabric That Is
Heat-set And Then Unravelled (knit-deknit Texturing); (g) The Yam Is
Over-fed Through A Turbulent Air Stream (air-texturing, Air-jet
Texturing), So That Entangled Loops Are Formed In The Filaments; (h)
The Yarn Is Composed Of Bicomponent Fibres And Is Subjected To A Hot
And/or Wet Process Whereby Differential Shrinkage Occurs. Note 2:
Procedures (a) And (d) In Note I Above Gives Yams Of A Generally
High-stretch Character. This Is Frequently Reduced By Re-heating The
Yam In A State Where It Is Only Partly Relaxed From The Fully
Extended Condition, Thus Producing A Stabilized Yarn With The
Bulkiness Little Reduced But With A Much Reduced Retractive Power.
Note 3: The Procedure (g) May Also Be Applied To Fibres Which Are
Not Thermoplastic.
|
| Thermal
Fabric |
A Knit Or Woven
Fabric Constructed So As To Trap Warm Air Between The Yarns. Often
In A Waffle Or Honeycomb Texture. Used For Blankets. Underwear.
|
Thermally
Bonded Nonwoven Fabric
|
Textile Fabric
Composed Of A Web Or Batt Of Fibres Containing Heat-sensitive
Material, Bonded By The Application Of Heat, With Or Without
Pressure. The Heat-sensitive Materials May Be In The Form Of Fibres,
Bicomponent Fibres Or Powders. |
| Thermoplastic |
Deformable By
Applied Heat And Pressure Without Any Accompanying Chemical Change.
The Deformation Is Reversible.
|
| Thick &
Thin |
A Fabric With A
Mottled Appearance, Made From A Filament Yarn With Varying
Thickness.
|
| Thickener |
A Substance
Used To Increase The Viscosity Of A Print Paste Or Other Fluid, In
Order To Control Its Flow Properties. Natural Polymers (starch,
Alginates, Etc.,), Chemical Modifications Thereof, Synthetic
Polymers, Emulsions, Foams And Clays Can Be Used.
|
| Thread |
(1) The Result
Of Twisting Together In One Or More Operations Two Or More Single,
Folded, Or Cabled Yarns (2) A Product As Defined In (1) Intended
Particularly For Sewing Purposes. (known Also As Sewing Thread.) (3)
A Component Of Silk Yarn. It Is The Product Of Winding Together
Without Twist A Number Of Baves. A Three-thread Silk Yarn Is The
Result Of Folding Three Such Products Together (4) A Textile Yam In
General.
|
| Thread
Count |
Is The Number
Of Warp And Weft Yarns In One Square-inch Of A Fabric (warp Yarn X
Weft Yarn Per Sq. Inch)
|
| Throw |
A Term, Of
Germanic And Anglo-saxon Origin, Used Especially In The Silk And
Man-made Fibre Industries To Describe The Twisting Or Folding Of
Continuous-filament Yams. Note. The Term Throwster Was Traditionally
Used To Describe An Individual Or Company Specifically Involved With
These Twisting Processes, But, In More Recent Times, The Title Has
Also Been Inherited By Those Who Manufacture Textured Yarns By The
False-twist Method.
|
| Tick Weave |
Fabric With A
Small Allover Pattern Or Texture, Often Using 2 Contrasting Colors.
|
| Ticking |
A General Term
For A Strong, Tightly Woven Fabric Most Often Used For Mattress And
Box Spring Covers But Also For Workwear And Other Apparel. Often
Found In A Pattern Of Narrow Stripes On Either Side Of A Wider
Stripe. They Are Commonly Dark Warp Stripes On A White Ground.
|
| Tie Dyed |
A Hand Method
Of Dyeing That Involves Gathering Small Portions Of The Fabric And
Tying Them Tightly Before Dyeing. The Tied Areas Resist Penetration
Of The Dye, Resulting In Irregular Patterns. Also Refers To Similar
Designs Created By Machine Methods.
|
| Tiki |
A Round Piece;
Generally Tacked On To A Garment.
|
| Tinsel Yarn |
A Textile Yarn
Or Thread, Combined, Coated, Or Covered With A Shiny Substance,
Often Metallic (e.g., Aluminium, Occasionally Gold Or Silver), To
Produce A Glittering Or Sparkling Effect.
|
| Tippet |
From The 16th
Century Onwards It Meant A Short Shoulder Cape.
|
| Tippy Wool. |
Wool In Which
The Tip Portions Of The Fibres Have Been So Damaged By Weathering
During Growth As To Have Markedly Different Dyeing Properties.
|
| Tissue
Faille |
A Lightweight,
Plain Weave, Filament Yarn Fabric Characterized By A Narrow
Crosswise Rib. Used For Blouses And Dresses.
|
| Tone On
Tone |
1. A Fabric
With A Pattern Consisting Of 2 Or More Shades Of The Same Color. 2.
Piece Dyed Dobbies In Which The Dobby Effect Takes On A Different
Tone By Virtue Of The Weave, Light Reflection Or Types Of Yarn Used.
|
| Top |
(1) Sliver That
Forms The Starting Material For The Worsted And Certain Other
Drawing Systems, Usually Obtained By The Process Of Combing, And
Characterized By The Following Properties: (a) The Absence Of Fibres
So Short As To Be Uncontrolled In The Preferred System Of Drawing;
(b) A Substantially Parallel Formation Of The Fibres; (c) A
Substantially Homogeneous Distribution Throughout The Sliver Of
Fibres From Each Length-group Present. Note 1: Tops Are Usually
Produced By Carding And Combing, Or By Preparing And Combing On
Worsted Machinery, But Recent Years Have Seen The Introduction Of
Top-making By The Cutting Or Controlled Breaking Of
Continuous-filament Tows Of Man-made Fibres, And The Assembly Of The
Resultant Staple Fibres Into Sliver In A Single Machine. Note 2: The
Advent Of Man-made Fibres Has Meant The Introduction Of Staple-fibre
Top Into The Flax, Jute, Spun Silk, And Other Drawing Systems. (2)
The Form Or Package In Which Sliver Is Delivered, E.g., Ball Top Or
Bump Top.
|
| Top Dyed |
A Fiber Dyeing
Method In Which Dye In Applied To Combed Fibers In An Untwisted Or
Loosely Twisted Rope Form (called Top Or Sliver ) . Sometimes Dye Is
Applied Or Printed On The Fiber At Regular Intervals To Give A
Melange Effect . Top Dyeing Results In Good Colorfastness.
|
| Topham Box. |
A Device For
Twisting And Winding A Wet-spun Continuous-filament Yarn So As To
Produce A Cake |
| Torchon
Lace |
An Inexpensive,
Sturdy, Machine Made Lace Using Thick Threads In Simple Designs On A
Mesh Ground . Often With Scalloped Edges. Also Called Beggar's Lace.
|
Tow (flax
Or Hemp)
|
Any
Substantially Clean Fibre Of Less Than Scutched Length. |
Tow
(man-made fibres)
|
An Assemblage
Of A Large Number Of Substantially Parallel Filaments With Little Or
No Twist. |
| Tow,
Machine |
Tow Produced By
A Hackling Machine.
|
| Tow, Straw |
Flax Straw In
Tossed And Broken Condition, Resulting From Threshing A Flax Crop
Too Poor For Normal Processing
|
| Tower |
High Female
Headdress Fashionable In The Late 17th And Early 18th Century.
|
| Tow-to-top |
A Process In
Which Heavy Continuous-filament Yam, Having No Twist And A
Substantially Parallel Alignment Of The Filaments, Is Cut Or Broken
Into Staple And Drafted Into A Sliver As A Continuous Process. It Is
Characteristic Of The Process That The Tow Does Not Lose Its Form,
Although The Filaments Are Broken Down Into Short Lengths, But Is
Only Attenuated In The Drafting Process.
|
| Tram |
A Silk Weft
Yarn Comprising Two Or More Threads Run Together And Then Twisted
With 2 Or 4 Turns/cm.
|
| Transfer
Printing |
Any Process By
Which A Design Is Transferred From Paper To Another Substrate.
Several Techniques Have Been Used, Viz Melt-transfer, Film-release,
And Wet-transfer, But Vapour Transfer (sublimation Transfer) Is The
Most Important. Selected Disperse Dyes Transfer In Vapour Form To
Thermoplastic Fibres When The Printed Paper And Fabric Are Brought
Into Close Contact In A Transfer Press At 170°-220°c.
|
| Trapunto |
A Form Of
Quilting In Which A Design Is Stitched Through 2 Layers Of Fabric.
The Lower Layer Is Than Slit And Batting Or Fiberfill Is Inserted To
Raise The Design To A High Relief.
|
| Trash
(cotton) |
A Loose Term
Embracing, In Its Widest Sense, The Non-fibrous Foreign Matter
Present In Bales Of Raw Cotton Other Than Abnormal Items, Such As
Stone, Timber, Pieces Of Old Iron, Etc. Note 1: Normal Whole Seeds,
Either Ginned Or Un-ginned, Are Frequently Excluded From This
Category But Broken Portions Of Them And Also Whole Or Broken
Undeveloped Seeds Are Usually Regarded As Trash. Note2, The Main
Component Of Trash Is Chaff And Dirt In The Form Of Soil Or Sand.
|
| Trend |
Fashion Is Not
Static, They Are Constantly Moving, Their Movement Has A Definite
Direction. The Direction In Which Fashion Moves Is Called Fashion
Trend.
|
Triacetate
(fibre) (generic Name)
|
A Term Used To
Describe Fibres Of Cellulose Ethanoate (cellulose Acetate) Wherein
At Least 92% Of The Hydroxyl Groups Of The Original Cellulose Are
Ethanoylated (acetylated). |
| Tricorne |
From French
Late 18th Century Term For Hat With Turned Up Brim And Having Three
Corners.
|
| Tricot |
A Common Warp
Knit Fabric With Thin Wales On The Face And Crosswise Ribs On The
Back . Generally Made Of Synthetic Yarns Such As Polyester, Nylon,
Acetate Or Rayon.
|
| Tricotine |
A Woven Fabric
With A Distinct Steep Double Twill Line. Used For Trousers Dresses,
Women's Sportswear.
|
| Trim |
To Cut Off The
Ragged Edges Below The Seam Line To Prevent The Garment From Being
Bulky And To Give The Seam A Neat Finish.
|
| Tristimulus
Values |
The Amounts Of
Three Defined Primaries (usually Blue, Red And Green) Required To Be
Mixed Additively To Match The Colour Of The Object, Under Defined
Conditions.
|
| Trivinyl
(fibre) (generic Name) |
A Term Used To
Describe Fibres Made From A Synthetic Terpolymer Of Cyanoethene
(acrylonitrile), A Chlorinated Vinyl Monomer And A Third Vinyl
Monomer, None Of Which Represents As Much As 50% Of The Total Mass.
|
| Tropical |
A General Term
For Crisp Lightweight Suiting Fabrics. They Often Use Fine Or High
Twist Yarns For A Porous Construction . May Be A Variety Of Fibers
And Weaves . Primarily Used For Warm Weather Suits.
|
| Trousses |
In The 17th
Century The Upper Hose Which Did Not Hang Down, But Fitted The
Thighs Tightly. They Are A Survival Of The 16th Century Grègues,
Preserved In The Ceremonial Costume Of Knights Of The King's Order
And In Pages' Costumes.
|
| True Hemp |
See Hemp, True
|
| Tubular |
A Knit Fabric
Made On A Circular Knitting Machine And Shipped Without Being Slit
To Open Width Form.
|
| Tuck Stitch |
A Knit Stitch
That Results In Open Spaces At Regular Intervals On The Fabric By
Having Some Needles Hold More Than One Loop At A Time.
|
| Tukma |
Small,
Button-like Boss Used In Conjunction With A Ghundi (q.v.) Or Loop,
For Fastening.
|
| Tulle |
A Soft, Fine,
Transparent Net Originally Made Of Silk But Now Made Of Synthetics.
Usually Has A Hexagonal Mesh. Used In Evening Wear And Bridal Veils.
|
| Tussah |
Silk Fabric
Made From The Strong, Coarse, Uneven, Light Brown Color Silk
Produced By Wild, Uncultivated Silkworms.
|
| Tussah Silk |
A Coarse Silk
Produced By A Wild Silkworm. There Are Three Main Types: Antheraea
Mylitta (largely Indian), Antheraea Pernyi (largely Chinese), And
Antheraea Yama-mai (largely Japanese). It Is Brown In Colour And Is
Usually Spun, Since Most Cocoons Cannot Be Reeled. Note: The
Spelling 'tussah', Although Considered Erroneous By Etymologists, Is
In Common Usage In The Textile Industry For The Name Given To Fibres
And Filaments.
|
| Tussore |
A Fabric Woven
From The Coarse Wild Silk Called Tussah. Note: The Spelling
'tussore', Although Considered Erroneous By Etymologists, Is In
Common Usage In The Textile Industry For The Name Given To Fabrics.
|
| Twaddell |
A Scale Used
For The Measurement Of The Specific Gravity Of Liquids By
Hydrometry. The Following Formula Expresses The Relationship Between
Specific Gravity (sg), And Degrees Twaddell (tw), For Liquids
Heavier Than Water:
|
| Tweed |
Originally A
Coarse, Heavy-weight, Rough-surfaced Wool Fabric For Outerwear,
Woven In Southern Scotland. The Term Is Now Applied To Fabrics Made
In A Wide Range Of Weights And Qualities From Woollen-spun Yams In A
Variety Of Weave Effects And Colour-and-weave Effects .
|
| Twill |
A General Term
For A Woven Fabric Made With A Twill Weave, A Basic Weave
Characterized By Diagonal Lines On The Face Of The Fabric.
|
| Twist |
The Condition
Of A Yarn Or Similar Structure When The Component Elements Have A
Helical Disposition Such As Results, For Instance, From Relative
Rotation Of The Yarn Ends. For All Practical Purposes Twist Is
Measured In Turns, But For Purely Theoretical Work Its Measurement
In Radians (the Si Unit) Often Leads To Much Simpler Mathematical
Expressions.
|
| Twist Angle |
The Angle
Between The Path Of A Yarn Element And The Yarn Axis.
|
| Twist
Direction |
Twist Is
Described As 's' Or 'z' According To Which Of These Letters Has Its
Centre Inclined In The Same Direction As The Surface Elements Of A
Given Twisted Yarn.
|
| Twist
Factor; Twist Multiplier |
In A Yarn, The
Product Of Twist Level And The Square Root Of The Linear Density.
Note: Where Units Of Specific Length Are In Use, The Corresponding
Factor Is The Quotient Of The Twist Level And The Square Root Of The
Count.
|
| Twist Level |
The Amount Of
Twist Per Unit Length Of A Yarn. Note: With The Exception Of
False-twisting , The Length Is Normally Assumed To Be That In The
Twisted Form But, When Necessary, Ambiguity Can Be Avoided By
Stating, For Example, Turns Per Twisted Metre Or Turns Per Untwisted
Metre.
|
| Twist
Liveliness |
The Tendency Of
A Yam To Twist Or Untwist Spontaneously. Note 1: Examples Of Effects
Which May Be Caused By Twist Liveliness Include Snarling Of Yarns
During Processing And Spirality In Knitted Fabrics.
|
Twist
Multiplier; Twist Factor
|
In A Yarn, The
Product Of Twist Level And The Square Root Of The Linear Density. |
| Twistless
Spinning |
A System Of
Yarn Formation That Relies On The Use Of A Permanent Or Temporary
Adhesive To Bond Fibres Together. Note: Where A Temporary Adhesive
Is Used It Is Removed During Fabric Finishing, And The Yarn (and
Fabric) Strength Is Then Obtained Through Lateral Pressure Produced
By The Interlacings In The Fabric. A Similar Fabric Construction Can
Be Achieved By Using Wrap Spun Yarns Which Have Been Produced With A
Soluble Binder.
|
| Twistless
Yarn |
A Yarn Prepared
Without Twist In Order To Obtain Special Properties, E.g., Increased
Softness And Dyeability.
|
| Twitty |
Descriptive Of
An Irregular Yarn Or Stubbing In Which Local Concentrations Of Twist
Have Accentuated The Irregular Appearance.
|
